Two weeks from today, my beloved B’ys will be arriving at the Moore to sing to me!
Well, okay, and and and and and and a few thousand other people as well. That’s okay. Because I am a person of STRONG CHARACTER, I will SHARE.
I know several of the usual Seattle suspects will be showing up for this show, too, so if you’re going to be there don’t hesitate to sing out! I and mine are discussing an Eat Dinner at The Night Kitchen Beforehand Plan, but I’m also thinking of coming down early to blow the afternoon in Pike Place and Barnes and Noble. So if anybody wants to meet up for lunch, there’s ample opportunity for that too.
And, of course, consider yourselves warned that I will be ramping up the insufferably bouncy swooniness and singing GBS songs at the top of my lungs for the next two weeks. “Yes yes yes,” I hear you say, “but how is this different from your USUAL demeanor?” Fair point, well argued. The main difference is, I’ll be doing it LOUDER.
Wikipedia informs me that Mr. Mills was best known for popularizing Canadian folk music, and it’s very clear, looking over the track listings for both of these albums, that my beloved B’ys either pulled hard from his songs or else were pulling from the same sources he did! Between these albums, I see a whole bunch of songs that were much, much later covered by GBS:
From the B’ys’ very first, self-titled album: “I’se the B’y” and “Great Big Sea”
From up and later also, Rant and Roar: “Lukey’s Boat”, and of course, “Rant and Roar”
From Turn: “Jack Hinks”
From Sea of No Cares: “Feller from Fortune”
From the mighty, mighty The Hard and the Easy: “Tickle Cove Pond”, “Harbor Le Cou”, “The Old Polina”
Mr. Mills’ versions are of course much more old school, and a lot more folksy. But damn, it’s weird and fun listening to his earlier versions of these songs. I’m very tempted to get both of these albums, just for the giggle factor of the contrast to GBS’ versions!
And clearly, Amazon ignored the “sexy, bouncy, long-haired bouzouki player” part of “customer’s affection for Newfoundland folk music”, when their auto-recommender code sent me that mail. :D
So unless a more awesome name presents itself, my shiny new guitar is going to be henceforth known as “General Taylor”. I am, yes, quite cognizant of the irony of naming a guitar for a song performed without any instruments whatsoever.
I have also realized that as I was grabbing shinies to go with the General at Dusty Strings, I forgot to get one other critical thing: a capo. The capo I bought for Rags was intended for nylon string guitars; it works okay on the new guitar, but isn’t optimal and I keep expecting it to pop off. So I’ll need to pick up another one. Oh DARN, I’ll have to go into a music store again! Twist my arm. Ow. Ow. Ow.
Meanwhile I have retuned Rags to DADGAD tuning. Poor Rags really sounds kind of feeble compared to the Taylor, but going into that tuning adds some really nice complexity to his tone. I’ve printed off a chord chart to see what I can learn, and also went and re-printed the chords to “Boston and St. John’s”–which is played in said tuning. It’ll be fun to properly learn that song.
This just in: tickets go on sale on greatbigsea.com for the show at the Moore on March 12th of next year, TOMORROW at 10am!
The show will be on a delicious, delicious SATURDAY, so Seattle peeps, if you think you want in on the goodness and you aren’t already a member of the site–i.e., if you need me to get your tickets–let me know ASAP so that I know how many tickets to get!
The finalists for the Great Big Sea Karaoke Contest were announced this morning and I fear that our video was NOT included on the list! Sniff.
Many thanks to all of you who took a look and offered words of encouragement, they are much appreciated! I would like to endorse, in our stead, the “Hit the Ground and Run” video by the Singing Roberts–since they had an awesome acting out, complete with costumes and a mini-script, of that particular song. You can vote on the video of your choice here.
I shall now also accept kittens, cookies, and other forms of consolation, if any happen to be around. *^_^*;;
I’ve been whinging about this on Twitter and Facebook all day, and now that I’m home, it’s the blog and Livejournal and Dreamwidth’s turn!
My beloved B’ys have NOT yet announced the finalists for their karaoke video contest. And given that they’re playing in Toronto tonight, and that they ALSO have shows tomorrow and Sunday evening in different places, chances are high that we won’t hear a peep out of them until Monday.
OKP admin Aaron posted this morning with the news, which drove home for all of us waiting the following critical bits of information:
The band has been very busy, so they’ve been delayed in choosing finalists,
The voting period would be extended to make up for the delay, and
Yes, the band members are in fact choosing the finalists.
Y’all know what this means, of course.
It means Alan Doyle, Séan McCann, Bob Hallett, Kris MacFarlane, or Murray Foster, and possibly some or all of the above, have heard me sing.
And I do not yet know if they’ll be picking my group’s video for the finals! AUGH! AUGH! AUGH!
On behalf of my jamming group, I now present to you “Nothing But a Song”, as performed by Twelve Good Measures, featuring Crime and the Forces of Evil!
Now comes the waiting for the entry round to close–and after that, the selection of finalists! Keep your fingers crossed that our vid will make the cut, people! ‘Cause if it does, I will be shamelessly, and I DO MEAN SHAMELESSLY, campaigning for your support. I mentioned the part where the grand prize of this shindig is four spots on the band’s guest list at a show of the winner’s choice, right?
Remember, folks, a vote for Twelve Good Measures is a vote for my head exploding RIGHT OFF MY SHOULDERS with squee. Because proximity to Alan Doyle will do that. I have experienced it before and lived to tell the tale!
And oh yes, we’ve got more. Oh my yes. Here, have lulz to go with your contest video!
I’d call this a Special Edition Jam Report, except we didn’t actually Jam. Still, though, we had a good number of the Murkjammers present today for the conclusion of our video shooting for our submission to the Great Big Sea Karaoke Contest! In addition to and myself, we had , , and , with surprise bonus as Jareth the Goblin King!
Dara has been a GODDESS for this effort, people. I had a few initial ideas for the script, sure, but the visual and sound and general arrangement of shots, not to mention the technical work of actually shooting said shots with her digital camera? That’s ALL been on her. Really, my contribution to this whole shebang has pretty much ‘sing lead and yoink video snippets into iMovie’.
Many thanks must also be given to Meems for primary wardrobe contribution, in order to build a shot which will remain unidentified until the video goes live. But trust me, you’ll know the shot when you see it. ;> Ellen and Glenn also contributed a few wardrobe bits, as did . Separate kudos to Glenn for shooting assistance both yesterday and today, and Ellen and Meems and Glenn all together for prop and script wrangling!
has also come through marvelously, both with initially pointing me at iMovie as the tool to use to pull all this together, AND with building us credits in Flash that I can plug in at the tail end of the video.
And finally, thanks to Torrey for going to the trouble to costume up very nicely for what will be a pretty short shot, in the eventual shipping product.
Now comes the editing like mad in iMovie! We’ll get this done as fast as we can, y’all, and we look very much forward to showing you the final video!
I would be quite remiss if I didn’t post about the fun , , , , and I have been having putting together the audio track for our contribution to the GBS contest in progress!
And by “audio track” I mean “actual audio track”, not just whatever audio Dara’s digital camera might pick up. Dara’s already got considerable experience recording and engineering herself for Crime and the Forces of Evil, and she is pulling out all the stops doing it for this. She’s also got considerable experience with her own singing work, and she’s been cramming that into my and Glenn’s brains, too!
Props must be given to , who supplied Dara with an awesome set of vocal exercises for singing. Thanks, Andra! Dara spent a good chunk of Friday and yesterday working with me and then Glenn on these–and we discovered that HOLY JUMPING GODS I HAVE A FOUR OCTAVE RANGE. To wit, WHAT?!
I’m also discovering my first real appreciation for how much hard work actual, proper singing is, when you’re able to slide seamlessly between your chest voice and your head voice. This is a huge challenge for me right now, because the song we’re doing, “Nothing But a Song”, has a vocal break for me right smack dab in the middle of the verse. And given that I’m singing lead, we cannot, cannot have me sounding weak on the verses. (Fortunately, I’ve just heard Dara do some pretty awesome remixing of my current recorded tracks, so we may not have to re-record me after all. Here’s hoping!)
Meanwhile, Dara got a hell of an impressive bass rumble out of Glenn for the harmony in the bridge. Let me put this in perspective for you, y’all. Those of you who’ve followed me on LJ for a long time may remember that when we attended the 2003 Vancouver show, the first time we saw Murray Foster with the band, he totally blew us away with the stunning low note he hit on the final note of “General Taylor”.
I am not kidding when I say that what Dara got out of Glenn for low rumbly notes made her AND me have a similar “WHOA” reaction. So big, big props to both Glenn and Dara on this!
Today, Mimi and Callie came over to contribute higher-level harmonies. I wanted Meems’ harmony support on the choruses of the song, and she laid down a kickass tight harmony on top of what I was singing. It is very telling that in fact when I think of this song right now, Mimi’s harmony is even overriding The Doyle’s vocals in my brain. Seriously, do you guys know how hard it is to dislodge Alan Doyle’s singing from my brain? That there is a mighty achievement. MIGHTY, I tell you!
Then Meems and Callie both threw in some very, very nice high harmonies for the harmony brick we’re assembling for the bridge–both singing by themselves and then joining Dara and me on a four-person track where we sang the dominant notes of the bridge, split up by octaves with Meems and Callie on the high octave and Dara and me on the lower. If I do say so myself, I think Dara’s done a stupendous job filling out the aural spectrum of the bridge. And I can’t wait for you all to hear it!
Now I need to start figuring out how to put together a video that’ll be worthy of this Awesomeness. If anybody out there has iMovie or QuickTime tips to share, now would be a very, very good time to drop a comment!
There’s a ridiculous amount of fangirly glee I can get out of something as simple as a well-used guitar pick!
I am not a professional guitarist by any stretch of the imagination; I’m barely at the level of competent amateur, really, and then only because I can play decent rhythm on a small set of songs, and slightly more complex stuff on exactly one song so far. But, that said? I know just enough to be able to make some fun guesses about the guitar pick snagged for me at the GBS show!
I don’t know how fast The Doyle goes through his picks, or whether this one was new going into the show–but if it was, he played the hell out of it. The tip of it as well as a good bit of one edge are worn quite ragged, and part of the words beneath the logo are worn off. I get this kind of wear and tear on my own picks after I’ve played with them, but only after a while; I suspect this is a function of the fact that a) I don’t play that often, b) I play on a nylon-stringed instrument, and c) I don’t play with anything resembling the amount of power that Alan Doyle does! Metal strings would tear up picks a lot faster, of course. I have observed this directly with any pick I play with for a while on my zouk or my octave mandolin.
I’m amused though to note the thickness of the pick as well. It’s pretty thin as guitar picks go and comparable to several I’ve got. I’m pretty sure I’ve seen this exact brand of guitar pick either at Trading Musician or at Dusty Strings, too. The logo on it is familiar!
I have had it suggested to me that I should frame this thing. My immediate plan for it is, I think, to use it for exactly one purpose: getting footage of me playing the guitar for our little contest video. And hope that maybe some of Alan’s guitar fu may wear off.
Then I’m going to put this thing safely away so I won’t lose it. :D
