annathepiper.org

My rating: 3 of 5 stars

Die in Plain Sight is a bit of an odd duck in the run of Elizabeth Lowell novels, straddling as it does the line between her Donovan series and her Rarities Unlimited ones. Goodreads classifies it as a Rarities book, but the two series are set in the same universe–and since it provides major camera time to Susa Donovan, the matriarch of the Donovan clan, it’s hard not to call this a Donovan book.

Nonetheless the question is, how does this particular book stack up against either series? Our heroine is Lacey Quinn, granddaughter of a famous artist, who’s determined to find out whether the previously unknown works of his she has inherited are proof of murder. And our hero is Ian Lapstrake, employed by Rarities, and of whom we get brief glimpses in Moving Target and Running Scared. They’re both pretty standard, likeable lead characters. In Ian’s case, I didn’t necessarily find him as intense or as charismatic as some of the Donovans, but on the other hand, that wasn’t necessarily a bad thing; it also meant that there was a refreshing lack of what Romancelandia calls alphole-ness on his part.

As for Lacey, I rather liked her better. She’s an artist and therefore a creative type, and even if painting isn’t my particular art, I definitely sympathized with her attempts to pursue it and especially with her interactions with Susa, whose work she revered. In fact, in many ways I enjoyed the scenes with Lacey and Susa almost more than the ones with Lacey and Ian, just because the two women had strong chemistry as fellow artists pursuing art together. Susa is a lovely character, and it’s great to see this woman get serious camera time, since it helps flesh out the history of the Donovan family and shows where her children get a lot of the awesomeness.

Antagonist-wise, we’ve also got a fairly Lowell-typical screwed up rich family, across whose secrets our heroine has inadvertantly stumbled and who will do anything to keep those secrets secret. There aren’t any real deviations from the standard plot track there, though on the other hand, Lowell doesn’t get too over the top with the antagonists as she’s sometimes done in other books.

So all in all I’ll give this one a good strong three stars, on the strength of Susa.

My rating: 5 of 5 stars

The fourth installment in Cherie Priest’s Clockwork Century series, Ganymede is now finally getting into actual sequel territory. Like Clementine and Dreadnought, it’s a standalone story–but this time, one of the spotlight characters in fact someone who previously showed up in Boneshaker, and we’ve got clear followup to the events in that book. So if you want to jump in on this series–and if you like steampunk, zombies, and/or the Civil War era, you should–this is not the place to start.

New Orleans madam Josephine Early is spearheading a secret Confederate attempt to hand over the submersible Ganymede to the Union, in a desperate attempt to turn the tide of the ongoing war. But no one’s left alive who knows how to safely operate the machine, and so Josephine’s forced to call for help to an old flame. She’s fiercely hoping that the airship pilot Andan Cly will be able to use his skills to pilot a machine that goes underwater instead of through the air, and she’s desperate enough that she isn’t exactly ready to tell him that the machine’s drowned all its previous crews.

And without a doubt, the relationship and backstory between Josephine and Andan is one of the high points of the book. I’ve found Priest to always be excellent at what romantic notes she introduces into a story, and this one’s no exception; the prior state of this relationship is played off with the exact right understated note against the bigger picture of the current intrigues. Toss in some glimpses at New Orleans’ zombie problem AND the issue of how the problem’s spreading across the country, references back to characters in all three of the previous books, and a supporting cast of colorful characters (one of whom has a secret revealed that amusingly blows Andan’s mind) and there’s a whole lot to like here.

Bonus points as well for the amusing use of actual Civil War history. It was particularly amusing to me to see a news link going around about the restoration of the Hunley–the actual vehicle named for the man who’s referenced in this novel as the creator of the Ganymede.

All in all, great fun. Five stars.

My rating: 3 of 5 stars

Running Scared is Book 2 of Elizabeth Lowell’s Rarities Unlimited series, but I was a bit disappointed to see that it didn’t quite live up to the enjoyment I got out of Book 1, Moving Target. This is not to say that Running Scared was bad, mind you–it’s just that this one didn’t tickle my fancy nearly as much as the first one did.

This time around we’ve got a heroine named Risa Sheridan, a gold appraiser in the employ of wealthy Vegas casino owner Shane Tanahill, who has a strict hands-off policy when it comes to his female employees. But a shiny new Celtic artifact has come to Shane’s attention, and so Risa’s been called upon to appraise it. But this being a suspense novel, the artifact is of course a Problem, with a nasty backstory of recent bloodshed and theft. Naturally, this leads to current bloodshed and theft, which drives much of the plot.

And because Risa is a suspense novel heroine, she too has some angsty backstory in the person of her old friend Cherelle Faulkner. The two of them grew up in poverty together, and while Risa worked her way out of it, Cherelle has not been so lucky. Cherelle becomes involved in the fate of other artifacts from the same collection that Shane’s artifact originated from, and thus, she comes back across Risa’s radar after years of separation. How the two women deal with the way their lives have gone since their childhoods is actually some of the best stuff in the book, as it’s halfway decent character fodder even if you often want to smack Cherelle for her whining, and Risa for putting up with her. Their interactions stand out more clearly in my memory than the standard chemistry between the two leads.

So all in all an acceptable Lowell read. Not as awesome as its predecessor, but decent for a quick breeze-through. Three stars.

My rating: 4 of 5 stars

It’s a romance staple to do a series of interconnected books all featuring siblings in the same family, or employees of the same agency, or what have you. Courtney Milan’s Turner series is no exception. And happily, Unclaimed, the second book in the series, turned out to be just as much fun for me as the first.

Book 1 was the story of Ash, the oldest of the three brothers; Book 2 picks up with his younger brother Mark. Mark’s an example of Milan cheerfully subverting another romance trope–because here, it’s Mark, not the heroine of the novel, who’s the one without sexual experience. This is by no means not Mark’s only defining trait, but it’s an important one that sets the course for the entire plot.

Mr. Turner–or rather, I should say, Sir Mark Turner, because the Queen has knighted him for his service to the nation’s morality–has written a treatise, the Gentlemen’s Practical Guide to Chastity. In her intro to the novel, Milan talks about how she wanted to write about a character with a rock star’s level of fame, but since she’s a writer of historicals, she had to figure out how to work it into the book in a period-appropriate fashion. Hence, Sir Mark’s Guide!

Exactly how berserk England goes over his work is one of the somewhat sillier things about the novel, but in the context of the story I was willing to go along with it. Why Mark wrote it and how he reacts to the scores of young men (and older women towing their young daughters) who fawn over him are hugely important aspects of his character. And I’ve got to say, I found his resolve to remain chaste until he finds the exact right woman for him refreshing and charming, especially after all the reading of urban fantasy and paranormal romance I’ve done for the last several years.

Set off in strong contrast to Mark is our heroine, Jessica, a courtesan who’s been paid to seduce him and ruin him in the eyes of the public. And as with Book 1, Jessica finds out fast that she genuinely likes Mark, and it doesn’t take her long at all to back away hard from the idea of causing his public downfall.

There’s all sorts of stuff that could be said here about the roles of gender and sexuality in this situation. And the book does, in fact, say them. Happily, it does so in a way that came across to me as natural for the characters and their interactions, without ever getting preachy. Mark calls out the hypocrisy of society’s encouraging men to express their lusts, or at any rate not punishing them for it, while holding women to far stricter standards. An oh-so-modern and enlightened attitude for a man in the 1830′s? Sure. But as put forth by Mark, it’s sincere and believable. It helps a lot as well that Jessica has a great deal of agency as the plot progresses, especially in the final third of the story. And it helps, too, that there’s a reasonably small amount of angst and drama as Jessica’s initial goal is inevitably revealed.

As with Book 1, I had some minor quibbles with plausibility–but only minor ones. And I’m eagerly heading on to read Book 3! Four stars.

My rating: 4 of 5 stars

(Note: I’m posting this review out of order because my next 2012 Book Log post is book 2 of this same series–and I didn’t want to post the review of the second before I posted the review of the first!)

I come to Courtney Milan courtesy of the fine ladies of Smart Bitches Trashy Books, and while I’m not always aligned with their tastes, I have got to back ‘em up on Milan’s Turner series. Here’s the thing about my reading romance novels–there are certain tropes in them that drive me spare, and are among the main reasons I steer clear of most contemporaries. I favor historicals and romantic suspense, on the grounds that they’re less likely to display the tropes that drive me most spare, even as I’m very aware that those particular romance subgenres also have their own issues.

I’m not a history geek, so I couldn’t dissect for you whether Milan’s depiction of her chosen period is historically accurate. But I can tell you that she pulled off a story that, for me, beautifully balanced a historically accurate feel with character sensibilities more appealing to modern readers. In my reading experience to date, that’s hard. Better yet, she skillfully subverted two of the biggest tropes I hate in many romances: having such a huge deal made over the heroine being a virgin, and the Big Misunderstanding that far too often provides “conflict” between the leads, the sort of conflict that can be solved in five minutes if they just talk to each other like adults.

And happily, she does all this in a tasty little scenario of political and familial intrigue. Ash Turner, our hero, has proven that the Duke of Parford is a bigamist, therefore destroying the legitimacy of his heirs, and opening the way for himself to take over as the rightful heir to the dukedom. But the Duke and his sons are having NONE OF THIS, and they’ve set the ailing Duke’s daughter Margaret up to masquerade as his nurse–putting her into an excellent position to spy on the incoming new Duke and find anything, any flaw in his character or vulnerability in his history, that can ruin him in the eyes of Parliament so that they can take back their estate.

Naturally, our heroine finds Ash Turner dangerously appealing. And has to soon choose between him and her own family.

Margaret was awesome, and it is through her that Milan subverted those aforementioned tropes so beautifully. I’m not going to spell out how, so that I can avoid spoilers, but suffice to say that as aspects of her history were explored and Ash’s responses to them were shown, I liked both characters immensely.

Mad, mad props as well to the inevitable vulnerability that Margaret discovers in Ash, another thing I won’t spell out so as to avoid spoilers. But I will say that it’s an aspect of him that is a source of genuine past strife between him and his brothers, and which genuinely made my heart go out to the poor guy.

Last but not least, how the eventual resolution of Margaret having to choose between Ash and her father and brothers–and how Ash must choose between Margaret and his own desire for revenge against her father–worked out beautifully.

All in all, great fun. I had some minor questions of plausibility here and there, but nothing serious to get in the way of enjoying the story. Four stars.