I’m pleased to report that Dara and I have gotten the web server stabilized again, and after quite a few days of work recovering assorted webpages, I can resume proper posting here. Be on the lookout for several Boosting the Signal posts I was going to share with you that I hadn’t been able to thanks to the server going down.
This whole server recovery effort has been particularly enlightening for me, since we discovered that the probable entry point onto our server was via one of the WordPress blogs we host. So I’ve been learning how to tighten up certain aspects of Apache in general and of WordPress in particular. And I’ve pulled a couple of the blogs we host into a general network with my OWN blogs, so that they share space and I can keep a closer eye on all of them. Plus, I’ve been working on porting the website for LexFA (the Lexington SF and Fantasy Association, a fandom group in Kentucky that Dara and I were in while we lived there) into WordPress. It hadn’t been before, and the site was sorely out of date as a result.
I’m glad though that the bulk of this work is over and I can get back to my usual business. Which means actually getting some writing and editing done! Currently on tap: a copyedit pass through Queen of Souls, which is coming off the queue and is very, VERY likely to be released this summer or fall. When I finish that edit pass, I’ll be swinging back to tightening up the now-complete novella currently called “A Power in the Blood”, AND proceeding with the next novella owed to Kickstarter backers. More bulletins on this as events warrant!
Next week there WILL also be a Le Vent du Nord concert report, because I’m going to go see mes gars in Vancouver again at the Rogue, and it will be awesome.
And right on the heels of that, Dara and I are going to Conflikt! This will be particularly exciting this year as Dara is the official
Toastmaster Toastmuppet for the convention, marking her first time as a guest of honor at a con. HUGELY exciting. She’ll be performing, of course. And I’ll be contributing by manning a table for her in the convention’s little dealers’ room. Conflikt is a music convention, but since the Bone Walker soundtrack is related to my books, I’ll have copies of Faerie Blood and Bone Walker to sell along with Dara’s music. So if you’re going to Conflikt, come say hi to me at the table! And look for Dara being in charge of proceedings as only she can. (Be sure to duck if you see her going for the heat ray!)
And then in February I will be going back up to Canada AGAIN, this time for a music workshop. Because I got invited to attend a special small workshop being held by none other than Andre Brunet, fiddler for De Temps Antan, and second place contender for the title of Anna’s Favorite Fiddle Player from Quebec. This will be huge, huge fun. Particularly since I have also been informed that these shenanigans will involve a participants concert for anybody attending the workshop who wants to get up and make musical noises.
Which means: I will actually have a chance break out the guitar and sing something, from my years of experience whipping through the Great Big Sea songs I know. Which gives me reason to actually bring the General with me on this trip, as well as various flutes and whistles.
Which further means: I’d be singing Great Big Sea ditties within earshot of someone who has actually performed with Great Big Sea.
(Because as I’ve often liked to relate, both my love of Great Big Sea and my love of Quebec trad can be traced right back to the very same concert, the first time I saw both GBS and La Bottine Souriante, way back in 2000 at Chateau Ste. Michelle. Andre was in La Bottine at the time, though I didn’t know that then!)
And this really kinda blows my mind a bit. *^_^*;; Singing Great Big Sea ditties in earshot of someone who has actually shared a stage with them is only slightly less scary than singing Great Big Sea ditties within earshot of actual Great Big Sea members.
But am I gonna do it? HELL YEAH. I will in fact be whipping out my very best GBS songs for this occasion. I’m thinking “Jack Hinks” and “Trois Navires de Ble”. Hell, this workshop’s featuring a Francophone fiddler, I feel almost obligated to sing something in French, and my options for “things GBS has recorded in French” are pretty minimal! But “Trois Navires de Ble” IS special to me regardless as the very first thing I learned how to play and sing at the same time, the very first thing I learned how to play on an instrument with strings, and the very first thing I learned to sing in French. :D
The next few weeks are going to ROCK, you guys. I look forward to sharing them with you all!