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If you’ve read Max Brooks’ entirely deadpan and therefore entirely chortleworthy The Zombie Survival Guide, then you’ve already pretty much read the content of this graphic novel. If you haven’t, then what you’ve got here is a nice little collection of zombie attacks throughout recorded history, in a setting that assumes that they’ve been going on all this time and that they only seem more recent because we’ve just gotten way better at recording them.

For Max Brooks fans, the main virtue of this volume is the appeal to completists and to those who might like the art. There’s no new content here, so for me, the selling point was seeing the stories I’d already been introduced to in the Guide depicted visually. And there are certainly some arresting visuals to be had herein, such as the fight scene at the beginning between a zombie and a prehistoric African in a jungle setting–or, much later, an initiate in a secret order forced to spend the night alone in a chamber full of severed zombie heads in jars.

Not all of the encounters in the Guide are depicted in the graphic novel, so this volume’s best as a companion to the Guide‘s stories, and not as a replacement. Three stars.

I came into The Language of Bees very belatedly–and only because I actually won an ARC of its immediate followup, The God of the Hive, on Goodreads! I therefore wound up reading them pretty much back to back, and that’s definitely how you should read them, since the two are linked parts of one overall story that really doesn’t come into true focus until you’ve read them both.

For this review, though, I’ll deal specifically with The Language of Bees. It starts off domestically enough, with Mary and Holmes returning home for the first time in many months to discover a minor mystery awaiting them: what’s happened to one of Holmes’ hives? Right along with that, though, they’re handed a much bigger one. For Holmes has an adult son Damian by his old affair with Irene Adler. And Damian needs his help to find his missing wife and daughter.

I was almost disappointed that the mystery of what happened with the hive got only a little bit of camera time at the beginning. Mary spends some time on it while Holmes departs with Damian, and while she does eventually find the answer, it barely comes up later on. But I could forgive that easily, for the edgy uncertainty between Mary and Holmes as she tries to fathom how he’s dealing with the discovery of not only Damian, but of Damian’s wife and daughter, was thoroughly gripping character development. This is the meat and potatoes of why I’ve thoroughly enjoyed this series in general; not only does King know her Holmes lore intimately, but she extrapolates beautifully from what’s in the canon. I absolutely bought into the character of Damian and how he grew up with the specter of his famous father looming over his life.

Perhaps because I hadn’t actually read any of the Mary Russells in a while, I was slightly jarred by the realization that this book was set in 1924. I’m used to thinking of “Sherlock Holmes” in the context of “late 1800’s”, or at the very least, no later than WWI. Yet the undeniable technological advancements of the 20’s are in play here, and serve as symbols of what comes up as a distinct theme all throughout this book as well as the next one: Holmes and his brother Mycroft growing old enough that the world is developing past them.

Toss in the connection of a mysterious cult that seems to have ensnared the missing Yolanda and the potential danger to Damian’s little girl, and suffice to say that I found this highly entertaining. Even if I still want to know what the heck happened in Japan, a question still unanswered after a couple of novels now! Four stars.

Man, Folly was a difficult book to read–but fortunately, not quite as much a difficult to review. As I’ve said before in my reviews, I greatly enjoy Laurie King’s work, and this is easily one of the most substantial novels of hers I’ve tackled to date, if not the most.

Folly has just enough of a mystery in it to qualify as an actual mystery novel, but without a doubt, the true core of this story is the struggle of Rae Newborn against her own history of crippling depression. She’s had to fight against it all her life, but most recently, it’s been exacerbated beyond all bearing by the death of her second husband and youngest child, and on top of even that, suffering a rape attempt. Now, certain she needs to either conquer her demons or let them destroy her, she’s taken refuge on a remote island in the San Juans and is determined to rebuild the wreck of a house once owned by one of her ancestors. Once there, she discovers secrets about her great-uncle’s history–and disturbing hints about what may well have been going on in her own.

If you’re someone who’s suffered depression or who has a loved one who’s done so, this may not be the book for you; I haven’t had to deal with that burden, and even then, I had a hard time making my way through this book. A great number of the passages when Rae is alone on Folly with nothing but the surrounding wilderness and her own treacherous thoughts are almost painful in their evocativeness. So are several of Rae’s initial interactions with her neighbors, and her later interactions with what’s left of her troubled family. Balancing this out are King’s vivid descriptions of the island’s setting itself; Folly is as much a character as any of the people in the cast.

I think my only real complaint with it is that certain plot revelations at the end slightly cheapen the struggle Rae goes through, but overall this was a fairly minor complaint. I was very pleased to make the trek through the entire book… but yeah, it was a tough go. So if you go in, I’d recommend taking your time and reading it in whatever size chunks you’re up for tackling, and intersperse them with something joyful. Four stars.

I’ve had quite a bit of fun lately listening to SF audiobooks on my iPhone, and 7th Son is one of the most notable things I’ve listened to lately. Audio is the form I mostly dealt with it in, although it’s critical to mention as well that Book 1 of this story is available in print and ebook form. Once I got far enough into this story that I realized I did in fact want to own a copy, I snatched up the ebook. If you like SF-flavored thrillers, it’s definitely worth your time.

The story starts off with a literal bang: the shot of the gun that takes out the President of the United States. What shocks the nation even more than the assassination is the assailant: a four year old boy who mysteriously dies days later. And in the aftermath of this, seven men leading seemingly disparate and unrelated lives are abruptly snatched up by a top-secret government agency, brought together, and set to the task of finding the mastermind who brought about the President’s demise.

This would have been shock enough to the seven men, but far greater a shock is their discovery that they resemble one another enough to be identical brothers, modulo external physical differences. They soon learn that this is because they haven’t led natural lives at all–they are clones, and moreover, they’re the clones of the man they’ve been brought together to seek.

I say all this because it’s not really spoilery. Much of the initial stretch of the story has to do with the seven clones all reacting to the shock of this discovery. Because there are many viewpoint characters here, and because each of the seven men gets the story of their abduction told, the real action does take a bit to get underway. Especially if you’re listening to the audio version. Have patience, though; things continue to get quite intriguing, and as you get periodic glimpses of what mastermind John Alpha is up to, there’s a lovely sense of impending dread as all of his machinations go on while the clones are still trying to figure each other out.

In the audio version, author J.C Hutchins does an excellent job reading each chapter. Things are spiced up as well with guest narrators coming in on many of the later chapters to summarize previous action for you, and there are nicely spaced musical hits in between major scenes to maintain the mood. The audio is definitely worth listening to. But on the other hand, don’t discount buying a print or ebook version, either. The official released book is just different enough from the older audio version that it’s intriguing to wonder what led to the decision to shift certain things around. Without getting too spoilery, I’ll simply note that you might be on the lookout for two of the major characters swapping roles as to who does what in the final third of the story.

Overall this was a gripping little narrative, sometimes with slower pacing than most modern thriller fans might like. But it helps to keep in mind as well that this is only Book 1 of a true trilogy, and that Books 2 and 3 eventually continue and conclude the overall adventure. Unfortunately Book 1 is the only installment of the trilogy that’s in print, and the only one expected to be released–but if you like the audio version at all, support J.C. Hutchins by buying the print or ebook version! Four stars.

Ah yes, Immortal in Death, the third of the “In Death” series by J.D. Robb, in which yet another critical side character gets her turn to shine in the spotlight as Eve’s investigations must involve her. This time around it’s Mavis Freestone getting the plot love, when she winds up being the prime suspect in the murder of a top supermodel. Turns out her current boyfriend was going to work with said model, and there were heavy rumors of romantic entanglement–until Mavis came along!

The plot’s complicated by the rumblings about a new wonder drug that’s said to dramatically slow the effects of aging, a veritable fountain of youth. Not terribly surprisingly, the investigation into the murder and the investigation into the drug eventually dovetail, like they do in an “In Death” book. But Mavis brings an undeniable effervescence to the story, enough that you almost regret that she and Eve are already established friends as of Book 1. It would have been fun to actually see their meeting on camera.

I like as well that this is one of the “In Death” books that reminds you that this is a setting far enough in the future that space travel is in fact commonplace. The drug around which much of the plot hinges has offworld ties, and even though that’s a fairly offhand worldbuilding detail, it’s still nice to see for a skiffy fan like me.

All in all, a fun early episode in the series. Four stars.

Glory in Death is the second of the long-running “In Death” series, and it’s early enough still that it doesn’t quite have its feet under it yet. The relationship between principal characters Eve and Roarke, which for my money is way more interesting once their marriage is established, is only just getting to the point of marriage here; moreover, another long-running critical character, Peabody, is barely introduced as of this installment. (I’d totally forgotten, upon re-reading, that she didn’t show up until Book 2. And I freely admit I cheered when I got to her first appearance!) You can tell, too, that Peabody still isn’t entirely fleshed out as a character as of this story; mostly, her function in this plot is to be noteworthy because of her unusual observation skills, her ambition to get into Homicide, and the fact that she gets quite, quite drunk at Eve’s engagement party.

I’d also forgotten how early the critical character of Nadine is introduced in the setting, as well. Nadine’s right in the forefront with the string of murders this time around, especially when one takes place right outside her own station–and Eve can’t help but notice how a rival of Nadine’s is surprisingly quick on the scene as each successive murder occurs.

I’ve said before that the “In Death” books are formulaic, but certainly at this early point in the series, the formula is still quite fresh. If you’re re-reading them like me, it’s nice to go back and see the characters coming into play. If you’re a new reader, this second book in the series is still early enough and gritty enough to give a greater sense of presence and reality for this futuristic version of New York than what comes later. And it’s certainly an enjoyable way to spend one’s reading time. Four stars.