Category: Book Log

My rating: 3 of 5 stars

Robyn Bachar’s Blood, Smoke and Mirrors was favorable reviewed on Smart Bitches, and that’s always a fine thing, so I took it upon myself to check this book out. It was my first from Samhain Press, who certainly did make an impression upon me with the gorgeous cover for this thing. Yeah, sure, it’s yet another Headless Paranormal Romance/Urban Fantasy heroine, but I will at least give this one points for not having a tramp stamp!

Points off, though, for how the girl on this cover is significantly thinner than I think the heroine’s actually supposed to be. That’s one of the things that stood out for me reading through this: i.e., that the heroine frequently describes herself as overweight if not outright fat. So I’m thinking that a bit more realism of cover portrayal might have been nice here, even as I acknowledge that yeah, that probably wouldn’t have sold as well. C’est la vie.

Anyway, the core concept of the book was the other thing that grabbed me: i.e., that our heroine is a witch who’s been banished by her brethren for violation of the Do No Harm rede–in self-defense against a would-be rapist. Naturally, Cat’s pretty bitter about this, and it doesn’t help much either that the one who turned her in was her own lover, Alexander Duquesne. But: Cat’s also in line to become the Titania, the mortal representative to Faerie in her neck of the woods. And cranky as she is at Lex, she’ll have to team up with him to find out who doesn’t want her anywhere near the Titania position.

All well and good. I waffled though about whether I liked the worldbuilding or not; it was certainly clearly laid out and pretty detailed. Some aspects of it were definitely unusual, such as “witches only do this kind of magic and necromancers only do this kind and guardians only do this kind”, not to mention an apparent progression of necromancers eventually becoming vampires. I’ll give due credit for that. I must note though that some of that also made me go “wait, what?”, a bit too much for my liking.

Same deal with Cat and Lex. What kicked this over into paranormal romance land for me, rather than urban fantasy, was three things: 1) their relationship was one of the biggest conflict drivers of the book, 2) there was quite a bit of emphasis about the sexual attraction between them, and 3) the Big Misunderstanding trope showed up. And while paranormal romance land is not a bad place to be in the slightest–witness the number of paranormal romances I’ve read and have on my to read queue–I found myself wishing there was a little less relationship angst and a little more plot.

Cat herself was another thing I waffled about. I liked that she came across a lot as a truly everyday woman, not only because of her weight, but because of her tastes in clothes and food. But at the same time, she was very much in the mold of Smartass Heroine, often to her own detriment, and that’s something I’d really like to see a bit less of in my heroines these days. (Less smartass, more smart.)

Last but not least, I found most of the antagonists a bit too much “evil because that’s their function in this plot” rather than “evil because they have actual motive”. Cat’s father didn’t work for me as a character, and neither did “Lovely Laura Barrenheart”, just because I had a very hard time imagining how any vampire who expected to be taken seriously would actually saddle herself with a name like that. But that said? Zachary Harrison did work, and was deliciously ambiguous.

All in all I liked it well enough, and can definitely see how the parts that didn’t necessarily work for me might work a lot better for others. I think for me this was just a question of taste and style preferences in my reading rather than any real fault of the book. Three stars.

My rating: 4 of 5 stars

You can’t pick up an urban fantasy these days without getting some variation on the “heroine in tough pose and generally without a head” cover. Nor are your chances good of finding an urban fantasy that does not involve vampires. Maria Lima’s Matters of the Blood has both of these things. But don’t let that stop you from picking this up, since it is in fact a fun read!

First up, this is actually less of an “urban” fantasy per se and more of a “rural” one. I’ve said in reviews of other things (c.f. Doranna Durgin’s A Feral Darkness) that I like seeing contemporary fantasy novels that aren’t set in major urban centers. Lima’s series is set out in a more rural stretch of Texas, and the setting alone adds a lot of color to the book.

Second, while Lima’s heroine Keira follows the standard mold of Heroine Who Has Great Magical Powers and Much Attitude But Who Really Just Wants to Be Left Alone, she’s nonetheless likable. Keira doesn’t go too overboard with the sass, and what attitude she’s got towards her family is justified! To balance that out, she’s got a lively friendship going on with her best friend Bea, and an intriguing almost-a-relationship with Adam Walker, the mysterious owner of a local dude ranch.

Which of course brings me around to the vampire part of the story. It’s not a spoiler to say that Keira discovers that OH HEY this guy’s a vampire; it’d almost be more surprising if she discovered he wasn’t, really. As a character Adam brings nothing new to the vampire milieu, but even given that, I liked him. He wasn’t overly angsty as a vampire love interest goes, which helped.

The mystery’s fun, too, as Keira, her brother Tucker, Bea, and Adam must investigate recent murders around their town–including that of Keira’s undertaker cousin Marty, the one member of their family who has no powers whatsoever. There are interesting power plays going on with Adam and his subordinates, and good backstory to bolster it all up. I’ll be coming back for more. Four stars.

My rating: 3 of 5 stars

Scott Westerfeld’s Uglies was one of those books I’d been hearing about for ages, and I’ll cheerily admit that glancing at the blurbs on it and the other books in the series in a bookstore did pique my interest. I did not, however, get a chance to read this one until it was handed out briefly for free in PDF form as part of a promotion for Westerfeld’s book Leviathan.

Survey says: less complex than I would have liked, which so far I find is the risk I run when I delve into YA. On the surface, there’s decent worldbuilding here in a sort of Logan’s Run-like, futuristic setting where every member of society is given an operation at age 16 to turn them into a “pretty”. Tally, about to turn 16, is ardently looking forward to her turn, since the transition means she’ll have no responsibilities for a while and will get to indulge in non-stop parties and fun.

This being a dystopian setting, though, she naturally finds out that not everybody is as enthused about becoming pretty as they should be. When her best friend escapes the city in search of a hidden enclave of people led by a couple of doctors who have discovered disturbing truths about the operation, Tally is forced to go after her and infiltrate the enclave as a spy.

All of which is a tasty little core of a story, to be sure. That said, I frequently found the worldbuilding thinner than I would have liked even as I appreciated the base concepts. Same deal with the characterizations of most of the cast. Tally read for me as too simplistic, and I couldn’t really nail down whether this was because it was a YA novel and therefore less complex than I prefer, or simply because Tally as a teenaged girl was being portrayed believably as a teenaged girl. Her primary motivation is at first of course to be a pretty–which seems reasonable for all the young people in her society, since that’s what they have drummed into their heads. But even afterward, as she starts cluing in to what’s going on, she is wishy-washy about committing to changing things, and half the time only seems interested in doing so because she’s attracted to the son of the doctors who run their little colony.

Overall though I did like the read, and I’ll probably be buying this sooner or later to get a proper copy, as well as continuing the series to see what happens next. There is a cliffhanger, and it got me well enough that yeah, I’m in for more. Three stars.

My rating: 3 of 5 stars

Nora Roberts really does love her some “girl who’s been away for ages goes back to family home in a small town, and OHNOEZ THERE’S A MURDER” plots, and Carnal Innocence is yet another one of those type of books. Fortunately, this is a plot formula that Ms. Roberts does well. So even though there’s nothing terribly out of the ordinary in this novel, it’s a fun read nonetheless.

This time around we’ve got a world-famous violinist, Caroline Waverly, returning to the small Southern town of Innocence to recuperate from a grueling performance schedule, romantic betrayal from her conductor and lover, and her domineering mother. But there are murders going on in Innocence; young women are being lured out at night. And one of the initial prime suspects is Tucker Longstreet, one of the sons of a local old and wealthy family, with a reputation for being quite the lady-killer. The question is, of course, does this mean literally?

This being a Nora Roberts novel, the answer to that question is a no-brainer. Roberts takes her usual circuitous (but not too circuitous) route towards identifying the real killer, and along the way sets up some quite nice chemistry between the prim Caroline and the lazily charming Tucker. I quite liked both characters, not only because of my partiality to lead characters who are musicians, but also because Tucker invariably reminded me of Sawyer from Lost. He has the same kind of rogueish Southern charm, and that’s a quality that Roberts writes with engaging skill.

Since the setting is Southern, there are racial tensions here as well as religious ones. Both of these are played a little heavy-handedly at times in the plot, but on the other hand, I still found them realistically done. The inevitable awful family secrets among the Longstreets, coming to light, set the book up for a resolution that did actually surprise me a bit, too. Three stars.

My rating: 4 of 5 stars

It gives me great, great glee to think of Jim Hines’ version of Little Red Riding Hood: a formidable assassin, “the Lady of the Red Hood”, whose magical cape grants her the ability to take on wolf form. She’s the central new character in Book 3 of his Princess series–and it just so happens that she’s coming back for a second round against Talia, “Sleeping Beauty”, one of the few warriors to ever successfully stand against her in battle.

Turns out that the Lady of the Red Hood has been unleashed on the kingdom of Beatrice and Theodore, and she’s aiming for a rematch with Talia.

That we get a whole lot more of the backstory for Talia in this installment of the series is my other favorite thing about it. Our three heroines are forced to venture into Talia’s homeland to track down who’s hired the Lady of the Red Hood to come after her, and in the process, we get an excellent portrait of a kingdom that’s been forced to reshape itself ever since Talia’s unhappy story began a century before. Tensions are high between the humans and the fairies, and equally delicious between our heroines and the the assassin who’s come after them.

If I had any quibbles at all with this story, they lie in wishing that Talia’s homeland was a bit more distinct from Danielle’s; save for a few changes of style in naming of places and people, I had a hard time telling the kingdoms apart. It didn’t help either that the heaviest influence on types of fairies in this series is still European, which struck me as weird in Talia’s clearly Arabic-influenced kingdom (with the exception of the peris). But this was a pretty minor quibble overall and I quite enjoyed this latest book, including the advancement of the romantic subplot! Four stars.

My rating: 3 of 5 stars

Fatal Affair, a Carina Press release by Marie Force, promises to be the first of a series involving the same romantic couple. I must give Ms. Force points for this, as I quite like to see a series develop the relationship between an established pair–J.D. Robb of course comes to mind for this. I must also give the book points for a nice juicy murder mystery, featuring the slaying of a young Senator. The investigating detective must give this case everything she’s got, since she’s under harshly critical eyes for the death of a child on her last case. And if that wasn’t stressful enough, she discovers to her shock and dismay that the Senator’s assistant is none other than her old flame.

All of which make up a nice little story. I had some quibbles with it from a stylistic perspective; there were a few too many coincidental things that seemed to have been put in for the convenience for the plot, such as our heroine’s chief of police also happening to be her uncle. On the other hand, the murder mystery was genuinely engaging, and I certainly won’t turn down a look at Book 2 with these characters. Three stars.

My rating: 3 of 5 stars

I won On Her Trail by Marcelle Dubé as part of Carina Press’ launch promotion, which rather tickled me since it was one of their initial releases I’d scoped out and put onto my buy list. Woo, free book!

If you look at the blurb for this thing, you can see the basic core concept that made me think this might be fun: “Laura Thorsen returns to Canada only to run afoul of the mob”. “Canada” and “mob” are not two concepts I expect to encounter in the same book. Nor are “ghosts” and “mob”, since Laura’s mother turns out to be haunted by the ghosts of her husband and a former lover. So yeah, this sounded fun and I was happy to get a chance to read it.

Overall I found the characters engaging, although the story felt a bit more weighted than I’d have liked towards the paranormal side of things. The backstory on Laura’s mother and the ghosts is excellent, as is the uneasy relationship between Laura and her mother. On the other hand, the suspense side of things, involving the newspaper expose that puts Laura on the run in the first place, doesn’t quite come together for me and I’m not sure why. I can’t say in fairness that it didn’t get as much development as the haunting plot, because it did–it’s just that it seemed like the book was weighted more towards the haunting and the mother/daughter tension than it was towards the mobster/story plot. I think I’d have liked a bit more balance between the two, or perhaps a bit more buildup to the presence of the ghosts in the plot.

Laura and her love interest Mack had some nice lightly played chemistry, and my only regret here is that Mack struck me as almost too laid-back a character. Writing this review several weeks after I actually read the book, I couldn’t remember the poor guy’s name. I couldn’t help it; this is what the book gets for one of the ghosts being named Sawyer, which promptly trumped Mack in my head. (Thank you, Lost!) Three stars.

Bernita Harris’ Dark and Disorderly did not at first impress me by its title. But as I thought the concept sounded fun, I made sure to pick it up when Carina Press went live earlier this year. Turns out, I was very glad I did. Dark and Disorderly turned out to be a lively book indeed.

Coming out of an imprint of Harlequin, you’d expect this book to lean more towards the “paranormal romance” end of the urban fantasy/paranormal romance spectrum. And while you could make a good case for that, for me as a reader it read more like pure urban fantasy, for two reasons: 1) good worldbuilding, and 2) way less emphasis on the romance between the leads, although of course there was one.

Let’s talk worldbuilding first. This is a universe where ghosts and the other expected batch of supernaturals exist, and our heroine, Lillie St. Claire, is essentially a city-employed ghostbuster. I quite liked the scenario Harris lays down, that supernatural incidents have been on the rise only in the last couple of decades, and that Lillie is one of a generation of children known as Talents–and in her particular case, maybe even something above and beyond. It was just the right blend of supernatural and real-world for me, with a city trying to work out its infestation of ghosts as a municipal problem; this felt very real and believable.

Props as well for the story starting off with a serious bang, when what Lillie thinks is the corpse of her recently deceased husband assaults her in her own bathroom. That seized my attention nicely, and once that initial punch was delivered, the arrival in the plot of police sergeant John Thresher made a great followup. And when Harris described her hero as “not ugly, exactly, just… rugged” and with “a face like a box of hammers and jaws like angle irons”, I was instantly charmed. I’ve had a surfeit of super-sexy heroes, not to mention overly florid description of heroine’s reactions to them, so this won me right out of the gate. So did the chemistry between Lillie and John, which was quite strong and yet never over the top. Major, major points for that.

This is Book 1 in a series, not terribly surprisingly, but I’ll definitely look forward to coming back for more. Intriguing questions are raised about Lillie’s background that hopefully will be answered in forthcoming books–not to mention the bigger picture of supernatural happenings in the world at large, and I’m quite interested in seeing how Lillie and John will play into that. My only quibbles with the story were minor ones indeed, and overall I found this highly enjoyable. Four stars.

If you’re anything at all like me, you probably can’t hear the words “the Little Mermaid” without immediately having a cartoon crab start singing “Under the Sea” in your head. But then again, if you’re anything at all like me, you’ll also probably find Jim Hines’ The Mermaid’s Madness a strong cure for that particular earworm.

Book 2 of his Princess series does indeed adapt that particular fairy tale, and to particularly good effect. This time around we’ve got our three heroines, Danielle, Snow, and Talia, having to delve into why the local undine are attacking human ships and sailors–and why their leader, the mad young queen Lirea, has nearly murdered Queen Beatrice. Lirea’s backstory, which tells how she gained the power to transform into human shape out of love of a human prince but then lost him, is darkly tragic and an easy match for the original Hans Christian Andersen version of the tale.

I appreciated that the main male characters weren’t quite figureheads here, either, even as the primary focus remained on the women. King Theodore and Danielle’s husband Armand remained primarily off-camera, but on the other hand, they were also doing things, which is all I ask. Better still, we got some delightful developments about Talia and Snow, about which I shall not expound because oh my yes spoilers. Points as well for Danielle succeeding in being both a mother and an effective warrior and heroine; that’s a pretty rare thing in fantasy novels, still.

Definitely worth checking out if you like your heroines of the mold of Wicked Girls Saving Themselves (h/t to ), and keep an eye out for the dryad ship captain who will, if you’re a filk fan, very likely remind you of Tricky Pixie’s “Dryad’s Promise”. Four stars.

I’ve heard Jim Hines’ Princess novels described as “Disney Princesses meet Charlie’s Angels”, and yeah, that’s pretty much right on the money. Say what you will about the Disneyfied versions of fairy tales–but okay, yeah, I have a soft spot for them as well as the original tales from which they sprang. So plowing into a series that draws elements from both forms of the classic tales was deeply satisfying indeed.

In this particular fantasy universe, all the traditional fairy tales we know and love actually happen in one form or another. And in this universe, “Cinderella” is known as Danielle Whiteshore, who’s just married her beloved prince. But when her stepsisters try to assassinate her in revenge, she discovers to her amazement that her mother-in-law, Queen Beatrice, has two seemingly unobtrusive “servants” whose stories are every bit as renowned as hers: Talia, a.k.a. “Sleeping Beauty”, and the young witch Snow, who is of course “Snow White”. Talia and Snow are entrusted with not only defending Danielle and teaching her to fight, but helping her rescue her husband as well.

Danielle, Talia, and Snow are all wonderfully realized characters, and in particular I very much liked how Talia comes from a culture that’s clearly Arabic in design as opposed to the more typical European-flavored cultures that usually show up in fantasy novels–including, well, this one. Her backstory is hands down the darkest of the three, though, and a far, far cry from Disney’s Princess Aurora, that’s for sure. I get great amounts of glee though thinking of “Sleeping Beauty” as the fiercest warrior in Beatrice’s entire kingdom.

The only place the book felt a bit shaky to me though was that for all the truly excellent women in this story, Danielle’s husband felt like an afterthought and got barely any camera time at all. The fact that I can’t even remember the poor guy’s name even as I write this is probably a testament to how little presence he actually had in the story, which was mildly disappointing to me given that his kidnapping is what drives most of the plot. I’m all for girl power in my fantasy novels, but not at the total expense of the boys! (Fortunately, Hines improves on this later on in the series, and both Danielle’s husband and her father-in-law become better developed characters.)

Still though, very strong start to a very strong series. Four stars.