I’m still dealing with my obligations to Carina Press for the Rebels of Adalonia trilogy, which means I haven’t been able to put attention to finishing up editing Bone Walker and prepping it for release. To wit: AUGH.
Meanwhile, Dara and I both have had medical crap to deal with, as many of you know–my medical crap from last fall, as well as Dara’s eye surgeries, plural. She’s got another one coming as well, since she developed cataracts after the last procedure, and that’s got to be dealt with. To wit: AUGH.
AND, as Dara’s been posting about a lot lately, she’s had to throw a LOT of time into renovation of one of the tenant spaces in MurkSouth. This has taken a huge amount of her time and our money, though now she’s finally finished with that, and if I may say so she’s worked magic in that kitchen. You can see before and after pics here.
BUT, we do finally have some progress to report! Even though I’ve been stymied on dealing with the book, Dara’s made some progress on getting the soundtrack done. She’s had significant progress on the instrumental sets–and we do also have some very, VERY exciting news.
We got Alexander James Adams.
Those of you in the Pacific Northwest fandom community, and hell, any of you who are into filk and SF/F-based or pagan-based music at all–you know who I’m talking about. He who stepped in to take up the mantle of song when Heather Alexander went off to Faerie. THAT Alexander James Adams. We are beyond delighted to have him joining us on this project, lending not only fiddle, but backup vocals and some drum work to various tracks.
And now Dara’s got a preview track to share with you all. It’s right over here!
This album is going to ROCK. :D
It has come to my attention that LJ actually FIXED something
Namely, Bandcamp embeds! So here, have a couple! (Does this also work on Dreamwidth? LET’S FIND OUT.)
Like “Manteau d’hiver” by Le Vent du Nord!
Tromper le temps by Le Vent du Nord
And “La déroutée” by Yves “Most Badass Accordion Player in Quebec” Lambert and his trio! A song which rattles me around every time I hear it. I LOVE the repeated chorus.
Le monde à Lambert (Yves Lambert & le Bébert orchestra) by La prûche libre
And last but MOST ASSUREDLY not least, Dara’s got some tasty previews up for the WE SWEAR TO ODIN IS ACTUALLY FORTHCOMING Bone Walker Soundtrack!
Bone Walker (Preview Tracks) by Crime and the Forces of Evil
Some tunes practice tonight
Rossignolet is rapidly becoming my practice flute of choice–at least, as long as I’m not trying to play along with any recording that isn’t actually in A. If I pretend I’m playing a D flute and ignore how I’m actually a fourth up, this flute’s responsiveness is wonderful for just trying to get fingering patterns down into my muscle memory.
Plus, I just love the way Rossignolet sounds. I posted these to Facebook but for giggles and grins and posterity, here are sound samples of me playing Swallowtail Jig on my three primary flutes of the moment, including the new one!
Anna Plays Swallowtail Jig on New Flute (Rossignolet in A)
Anna Plays Swallowtail Jig on Norouet (Big Flute in D)
Anna Plays Swallowtail Jig on Shine (Piccolo in D)
Tonight, I went through all seven of the Quebec tunes I know so far and then through most of the non-Quebec ones, including Swallowtail. I didn’t hit Si Bheag Si Mhor or Da Slockit Light, but only because my embouchure started getting a bit wibbly and I wanted to work on Pigeon on the Gate, which I need for the Bone Walker soundtrack.
Fun observation of the evening #1: on Rossignolet, trying the embouchure exercise described in Grey Larsen’s Irish Flute and Whistle book, I was able to get three octaves of A as well as the intermediate E between the second and third A’s. That’s hard, people. And leaves me a bit swimmy-headed in a way I rather clearly remember from when I was first learning how to play piccolo!
Fun observation of the evening #2: TunePal can play tunes for you if you bring up the sheet music for one in it. You tap the play button and it’ll start playing through the tune on the screen in MIDI piano, and you can adjust the tempo too. So I fired up Pigeon on the Gate and went through it slowly several times, trying to follow the sheet music. Then I did it a few times more with my eyes closed, to see if I had it in muscle memory yet and if I could play along by ear. Then, I shut up TunePal entirely and tried to play it through slowly by myself.
This actually appeared to work. I cannot play this tune at speed yet but it may actually be getting into my fingers. Even though it’ll take me a bit to polish it up, just because those jumps in the first couple of measures from B down to E then up to D and down to E again are a bit of a bitch on the flute.