Une chose merveilleuse

On my way home tonight I was listening to tracks off the album À la grâce de Dieu by the Charbonniers, and in particular, the song “Allons vidons”. Jean-Claude Mirandette was just getting started on the first verse when I had that delightful double-take reaction of HEY HEY STOP I UNDERSTOOD THAT! I backed up, played that bit again, and sure enough, the sentence “C’est dans notre village / Il y a un p’tit moulin” popped right out at me. “In our village there is a little mill”. It’s a tiny sentence to be sure, but I was inordinately proud of comprehending it.
It’s weird and wonderful to hear a whole sentence in another language, only to understand it just like it’s the language I grew up with. I’m still getting bits and pieces of songs piecemeal, but that I’m getting them in general gives me ridiculous amounts of glee. My main goal is still musical, i.e., to be able to understand the lyrics of all these awesome songs and therefore appreciate them more. Anything I get out of it for conversational purposes is really icing on the cake.
But that said, I was also very pleased to be able to construct this whole sentence all by myself when posting to Facebook: “Je lire les paroles en anglais et français, j’écoute les chansons en français, je peu à peu comprends plus et plus!” Which means, “I read the lyrics in English and French, I listen to the songs in French, bit by bit I understand more and more!”
A good chunk of that sentence did in fact come to me either straight out of songs or else from poking around on band websites. “Les paroles” I know as “the lyrics” from looking at the French edition of leventdunord.com. “J’écoute”, “I listen”, I swiped right out of the lyrics to “Écris-moi”. “Chansons”, “songs”, is all over the place in all the songs in my collection. “Plus et plus” I got out of the lyrics to “Le dragon de Chimay”.
I’m still also heavily using Google Translate–but sometimes I only have to use it to doublecheck gender of nouns or verb conjugation spellings, because some of the words are starting to actually pop into my brain on my own and I just need to doublecheck them. As opposed to having no idea what the words actually are. Progress! I has it!
So yeah! Plan to learn all the Quebecois trad by slow osmosis: proceeding nicely. :D
ETA: , who is a wise and clever wordsmith apparently in more than one language, advises me that the proper first person singular conjugation for “lire” is “je lis”. This, children, is why you always ask for language help from people who either speak the language or who have studied it better than you have! Also, this is an extremely important verb for a writer and book geek to know!

Memoire et Racines is GO!

I just doublechecked the Memoire et Racines site, and see to my massive, massive delight that Les Charbonniers de l’Enfer do, in fact, have a presence on the schedule on the 28th–the day I’m targeting for userinfosolarbird and me to be there! Which means I will get to see them!

Seriously, seriously excited by that! Aside from the boys of Le Vent, the Charbonniers are the Quebec band who’ve most grabbed my attention, just because I love their vocals on their live album so very, very, very much. I’m going to have to do a marathon listen to all of their albums now, just to make sure I’m briefed on the stuff they’re most likely to perform.

Also helpful: it looks like events don’t get started until noon, which will give plenty of time to get up there in the morning from Montreal. And now I’ve bought day passes for Saturday the 28th for myself and Dara! userinfoframlingem, if you’re reading this, and you’re still up for the festival, you might want to go ahead and snag a ticket for yourself–the site was giving me messaging indicating these tickets are in high demand!

Ditto to userinfolyonesse if you have interest in joining us!

And now, a fangirly PSA: Le Vent du Nord in Oregon in November!

It appears that the boys of Le Vent du Nord are beefing up their application for the position of My New Favorite Band, because this morning, this happened on Facebook!

Aw, They Were Thinking of Me!
Aw, They Were Thinking of Me!

How thoughtful is that? And I mean, it ain’t like I wasn’t going to go already anyway, but if I hadn’t already known about the show they’re going to do in Oregon in November, this would TOTALLY have convinced me to!
Because oh my yes this is happening. November 10th. A Saturday, ever so delightfully enough. There will be a very likely plan of scamper down from Seattle on Saturday morning, hit the show in the evening, and hit Powell’s on Sunday afternoon before heading home again! (Because you cannot be a Pacific Northwest geek, go anywhere near Portland, and NOT go to Powell’s.) Interested parties in the Portland area are highly, HIGHLY encouraged to attend this show if possible. Do it for the podorythmie! Do it for the hurdy-gurdy! And do it for the chance to join me in showing Nicolas, Réjean, Simon, and particularly Olivier how we do La Danse Verticale in Cascadia!
Still need convincing? Three words: Tromper le Temps! You don’t even have to learn French, people, they’ve given us translations of the lyrics. Because they’re just thoughtful boys like that.

Further arrangements for the Canadian Adventure!

Just snagged weekend passes for Dara and me to the Newfoundland & Labrador Folk Festival, the big festival that was our main reason for going to St. John’s to begin with–even if we’ll be skipping out on it on August 4th to scamper up to Torbay for Great Big Sea instead. :D We figured screw it, we’ll just get passes for the whole weekend anyway so we’ll be able to wander in and out at whim. Now I just need to see a full schedule for who’s playing when, since I have particular interest in seeing The Once and the Dardanelles.

Meanwhile, keeping a sharp eye on the Memoire et Racines site, waiting for tickets to be on sale for that too so I can snag passes for Dara and me for July 28th, the Day of Podorythmie! Priority interest will be with Galant Tu Perds Ton Temps and the Charbonniers, but really, my little fangirl heart is desperate to know if I get to see Le Vent du Nord twice in one year.

And speaking of Dara and me in Quebec, side note to either userinfoframlingem or userinfoscrunchions–if either of you might be interested in hosting a tiny house concert for Dara, let us know, hey? Dara’s got one for Toronto and one for Moncton, and if she could do one in Montreal, that’d make it a TOUR. ;D

And hell, for that matter, anybody following me in St. John’s, if YOU want to host Dara for a teeny house concert, we’ll have way more time to play with there than we will in Montreal! Talk to us if you want to host a Cascadian Supervillain with her Bouzouki of Mass Destruction!

Further musical planning for the Great Atlantic Canadian Adventure!

*squeal*

Keeping a hawk’s eye on the tour Calendar on leventdunord.com just paid off. Looks like they ARE booked to play on the 28th at Memoire et Racines, the weekend that Dara and I will be in Quebec! Which means that the priority of getting to that festival for a day trip on the 28th just shot up to CRITICAL. :D Because yeah, I need me another Le Vent du Nord show STAT, and I especially want to see how they work a Francophone crowd. Also, it would be sporting of me to give them another fighting chance at my musical affections, given that Great Big Sea will be steamrollering over everything else once Dara and I reach St. John’s in August.

I also note with huge delight that Les Charbonniers de l’Enfer’s tour schedule ALSO shows July 28th (and the 29th, but the 28th is the pertinent date here). Which means that ideally I’ll get to see them too! They better not be scheduled opposite Le Vent, or else I shall be quite sad! Now all I need is to determine whether Galant Tu Perds Ton Temps is also booked on the 28th, to complete the trifecta of awesome–though really, if I get Le Vent and the Charbonniers in the same day, that’s quite a bit of awesome right there and that may be enough all by itself for me to explode from squee. :D

(Special side message to userinfoframlingem! You still in for this? Let me and Dara know! The Festival’s official full program goes online on June 14th and I’ll be getting Dara and me tickets, I want to make sure our plans can still align!)

Note to my brain: no, you may not write this yet

Memo to my brain:
No, you may NOT write a short story based on the Le Vent du Nord song “Le dragon de Chimay”. No matter how awesome a mental image you have in your head of a dragon breaking out of chains that hold him underground and surging up into the open air in desperate search of his lady love, and finally transforming back to human shape before her…
… damn, that’s an awesome image, innit? And it is NOT HELPING that I’m totally seeing this young woman and her “preux chevalier si tendre et amant”, as the cathedral collapses on him and he’s forced into dragon shape and she frantically tries to dig him out and no, no, no, dammit brain! You have a novel to finish and a novella to finish and a whole other novella to write and plan for all these lovely Kickstarter people throwing money at you, so STAY ON TARGET!
You are, however, totally allowed to geek right out over the translation of the lyrics, and listen to the song as many times as you like.
Because yes, folks, I like this band so much I want to write them fanfic. Or in this case, songfic!

Montreal chimes in on the Great Canadian Adventure!

HEL-LO, the Montreal portion of the Great Canadian Summer Adventure just got way, WAY more interesting!

I have had THIS brought to my attention–most recently by Monsieur de Grosbois-Garand, that fine gentleman who gave me the nifty flute lesson. I’d already discovered it poking around various band schedules to see if anything fascinating might crop up that could line up with my and Dara’s trip. But now, after seeing a promo pic go up on Le Vent du Nord’s Facebook page and then poking around on the actual site for the festival, I see that not only Le Vent will be involved, but ALSO the Charbonniers and Galant Tu Perd Ton Temps.

This, mes amis d’Internet, is extremely goddamn relevant to my interests, is what this is. :D

But augh the site for the festival appears to be considerably north of Montreal, at least 40 minutes’ drive and as long as 2 hours by transit. Transit seems right out as an option.

HEY userinfoframlingem and userinfoscrunchions! Don’t suppose either of you would be up for playing native guide and helping userinfosolarbird and me get to this thing, probably on the 28th as a target date? ‘Cause if I have a shot at seeing ANY of these bands live while we’re in Montreal, I am ALL. OVER. THAT. :D This might be my only shot at all to see the Charbonniers or the Galant girls!

A modest announcement :)

For those of you who have not already seen this breaking across Facebook, Google+, or Twitter tonight, userinfosolarbird and I would like to announce that on March 2nd, we will be getting a Canadian marriage license!

We were already planning this before today’s Washington state law signed by Governor Christine Gregoire. In fact, we are planning this as part of a Grand Four-Day Weekend of Marriage and Music, starting off with seeing these handsome boys perform on the night of March 1st! On March 2nd, Dara and I (and two other friends of ours who I will not identify publicly so as to respect their privacy, but who will be joining us for a dual ceremony) will be taking the appropriate steps to get legally married in Canada! On March 3rd, we will have yet more music as we attend Festival du Bois!

Mad props to userinfogerimaple who has very kindly agreed to put Dara and me up for the weekend!

I have been asked as well if Dara and I are planning anything with the new law being passed in Washington state. To this, I note that to the best of our knowledge, if we are legally married in Canada, then that will count in the state of Washington–assuming that the law is not shot down in November. So for now we will be focusing on Canadian marriage fun, and getting in a boatload of awesome Quebecois music to go with it. :D

And! And! And! This being my and Dara’s 25th year of being together, there’s a whole extra layer of anniversarial awesomeness to celebrate here as well! So if you’re so inclined, raise a jar on March 2nd and think of us!

Let me sing for you the songs of my people

I’ve mentioned before that something I ardently respond to in both Quebecois and Newfoundland trad music is how many of the bands and singers I’m following have learned their music from their parents, who learned it from their parents, etc. I.e., they grew up with this music, and it was woven into their lives so deeply that it made them who they are. Their love for it shines through brilliantly in their performances.
Devon Léger quite correctly pointed out to me that Americans are not without such traditions–you just need to know where to look for them. Certainly many American Celtic or folk or country performers are fortunate enough to have that same sort of background, too, and classical performers as well. Those of us in the science fiction folk music community, filk, have some small rumblings of this too. Filk hasn’t really quite been around long enough to have songs handed down from one generation to the next, but I have met people who are doing it, and it’s really cool of them. (I am thinking specifically of you, !)
In the bigger picture of American society, though, people getting together and making music just for the joy of making music is not so much of a thing. This is why I’m so very delighted to have discovered both Irish and Quebecois sessions, and it’s why I linger on the edges of filk circles as well; it’s all part of the same idea.
I had a delightful little epiphany last night, too: all that Elvis Presley music my dad played for me on the stereo when I was a kid is absolutely generational handing down of music. And I’ve actually done it too–playing Great Big Sea songs for and ‘s kid Lillian!
So the next time you hear me say “Let me sing for you the song of my people”, I’ll be about to belt out “Hound Dog”. Or “Ordinary Day”. Or maybe now also “Dans le ville de Paris”, or “Re: Your Brains”.
Because no matter where you’re from, Quebec or Newfoundland or Kentucky or any filk circle in any science fiction convention in the world, if you love music, and you get up and you share it with those around you, you are my people. And I will sing your songs.

Quebecois band recommendations: La Bottine Souriante!

Last but OH MY definitely not least in the slightest, we come to La Bottine Souriante!
Of all the groups I’ve been getting into, La Bottine is the oldest, and as near as I can tell they are pretty much the modern Quebecois trad version of the Chieftains. They’ve been around since the late 70’s, and became famous for taking the folk melodies and slapping a lively horn section on top of them. That, combined with the showmanship of lead singer Yves Lambert, made La Bottine a phenomenal live band during their earlier heyday. As I’ve posted before, I had the fortune of seeing them perform at the same Celtic concert where I first saw Great Big Sea, and I’m here to tell you–they WERE awesome. Monsieur Lambert had an amazing rich, round voice that hit my ears like 900-calorie cheesecake, and their horn section was laying down a wall of sound that steamrollered the audience.
So yeah, when it comes to modern Quebecois trad, La Bottine are the giants on whose shoulders everyone else after them are standing. If you want to get into this music at all, you cannot do wrong at all if you start with La Bottine. Even their name, “The Smiling Boots”, sums up why I love this music so much–not only because of the podorythmie, but because of the lively, upbeat energy. Well, that, and the aforementioned wall of sound from the horns, which do yea and verily ROCK.
Be aware that since La Bottine has been around for so long, they have gone through a huge number of membership changes over the years. This will therefore impact what level of awesome you get from one of their albums, depending on where in the discography you’re looking. I have only five of their many albums myself, and all of them are in the earlier stretch of La Bottine’s long range of activity: Chic & Swell, En Spectacle, Jusqu’aux P’tites Heures, Les Épousailles, and Rock & Reel (which has the distinction of being the only La Bottine album released in the States). Of these albums, I would most recommend either Rock & Reel or En Spectacle, which is a live album–either of these will give you an excellent introduction to the band’s canonical sound.
A big difficulty here though is that La Bottine’s albums are hard to find. Since Rock & Reel is the only one that was ever released in the States, and since a lot of the places that historically have sold music have been losing out to online distribution sources, even that one will be hard to find outside Canada. And very few La Bottine tracks, sadly, are available electronically! The US iTunes store, for example, has only a small number of La Bottine tracks, and all of them are single tracks on compilation albums. None of them are on the band’s own works.
The one electronic recommendation I can make is that La Bottine appears on the Chieftains collaboration Fire in the Kitchen. Great Big Sea fans will know this album well, since it’s got a GBS track on it, a take of “Lukey”. However, the La Bottine track on it, “Le Lys Vert” is very strong. This album IS on iTunes, and you should get it if you can–not only because of GBS and La Bottine being on it, but also because it’s a great overview of Canadian folk.
If though you want to find their albums, Amazon.com has them all (I think all, anyway) here. Amazon.ca represents over here. Archambault.ca, here (and they DO have La Bottine available as MP3 downloads, but again–only for Canadian customers).
YouTube-wise, there are a LOT of La Bottine vids of various quality, and most of them appear to be either older songs with static images, or else live performances involving the current-day members. Of these:
This one is the studio version of “Le ziguezon zinzon”, which goes clear back to the early album Chic & Swell, which is early enough that André Marchand–now over in the Charbonniers–is still in the band! And I think this may in fact be M. Marchand singing lead on this track; I’m not quite sure.
From Rock & Reel, I give you YoYo Verret, which is arguably one of the very first La Bottine ditties I ever fell in love with. The vid is static images only, and includes several of the modern lineup of members–so keep in mind that this is actually an older La Bottine song. I’m pretty sure that Michel Bordeleau, the other former La Bottine member now in the Charbonniers, has the lead here. And listen for the shiver-inducing deep harmony at the very end of the vocal section!
Off of En spectacle, here is “La Grand’ Côte”, one of the best tracks in the performance. There’s a stunning footwork solo towards the end–where the feet are flying fast enough that it sounds like machine-gun fire!
By contrast, if you search for “la bottine souriante 2011” on YouTube, you should be able to find several videos of the current lineup of the group. This one unfortunately has clipping issues on the sound, but you CAN see Éric Beaudry over on the side making with the footwork with a guitar in his lap, and the guys with the horns kick in fairly quickly. Of note as well is the dancer on the stage, Sandy Silva, whose primary function in the group does in fact appear to be dancing. This one is notable because I recognize what they’re playing–it’s “Landslide Village Medley”, a.k.a. “Medley des Éboulements” from Rock & Reel! And, this one is only a partial, but again there’s M. Beaudry there on the side, and Sandy Silva dancing all over the stage.
La Bottine remains an active band, although that’s a bit hard to glean from their website–the YouTube search is a much better indicator. AND! AND! I am seeing rumblings on their Facebook page that they do have a new album on the way. So I’d recommend keeping an eye on their site, and if you are Facebook-inclined, they have a group right over here as well as an actual fan page!
It’s greatly comforting to see that the band’s current lineup is continuing its long and proud tradition, and here’s hoping that the new album will enjoy some electronic release!