"Lesson in the Library" Log Date: 11/18/99 Log Cast: Faanshi, Samein Log Intro: The aether-storms and the earthquake that followed have left Haven in turmoil, with many mages felled by the backlash of their own power, and many without the gift of magic injured in the physical side effects. Two persons close to the shudra Faanshi were brushed by these crises, for her teacher FallingStar has been stricken blind--and the Mongrel bard Lyre Talespinner, of whom Faanshi has grown increasingly fond, was pinned beneath a collapsed roof as he tried to rescue a child in Bordertown. Faanshi has thus far been unable to restore FallingStar's sight, but she was able to reach Lyre and heal his broken leg and ribs, much to her profound relief. Now her other teacher, Samein, is about to summon her to Delphi and share with her an astonishing tidbit of knowledge that can illumine for the girl what exactly she did when she healed the bard who has proclaimed his love to her.... *===========================< In Character Time >==========================* Time of day: Night (Duskside) Date on Aether: Thursday, August 2, 3905. Year on Earth: 1505 A.D. Phase of the Moon: Waxing Crescent Season: Summer Weather: Partly Cloudy Temperature: Warm *==========================================================================* A Delphic novice Shaper, clothed in a simple white robe and carrying a scroll with an official-looking seal bursts into the garden, seeking a particular shudra by the name of Faanshi. The scroll itself, when delivered, states in austere, dry prose that would seem characteristic to Samein that he requests your presence, whenever possible, for your next lesson. He shall await you in the Delphic Library. You are merely to show this scroll to gain entrance -- it is signed with another seal at the bottom. The aroma of baked goods lures you south toward the Rialto. The Rialto - Haven(#159RDJM) Reigning over the Rialto is the very heart of Haven: the Delphic Citadel. It dwarfs the other buildings, which cluster around it like so many children seeking a parent's protection. Day or night, rain or shine, its walls seem to glimmer with a light of their own, as if, over the centuries, the magic within had slowly permeated the entire structure. The main tower soars higher than the tallest tree, and each side tapers inward so that it resembles a giant obelisk. Four smaller towers stand at the four points of the compass, representing the unification of each race under Delphi's government. And here is where they all gather. The Rialto is the famed marketplace of Haven, full of shops, stalls, and brightly colored tents. The shouts of merchants, the haggling of patrons, the music of entertainers, and the laughter of children create a nigh-constant cacophony that assaults the senses. But the Rialto is nothing if not exciting, and crowds often gather here for important events and public addresses. (Note: 'places' are enabled here.) Contents: Melete Thenomain Fissure and Bridges Infirmary Tent - The Rialto - Haven Obvious Exits: Shimone and Theno's Smithy Streets Delphic Citadel Accompanied by a sizeable dog at her heels and a rather bemused-looking young fellow in the kaftan of a Novice Shaper of Delphi, Faanshi treads quietly into the marketplace... and towards the Delphi Citadel. The maiden's green eyes are all that can be seen of her face, but from the look of those and the nervous glance she casts the Citadel as she and her escort draw near it, it doesn't take much to guess that Faanshi is decidedly nervous about her destination. [Faanshi timidly follows her escort into the Delphi Citadel, struggling not to gape at everything she passes, and her nervousness is not soothed much as her loyal hound is not permitted to accompany her in from the Citadel's courtyard. Yet she does not complain, and soon she is brought into the presence of the old mage who has summoned her....] Passing beneath the arched doors, you enter the large chamber beyond. Library - Delphic Citadel - Haven It is said that all learning originates at the Citadel, and that all recorded history may be found among the shelves of the Tower's great libraries. One of the smaller libraries in the compound, this room boasts a larger collection of tomes than many lords have seen in their lifetimes. The vast chamber is lined with shelves. Halfway up the wall a narrow walkway encircles the room, reachable by small sets of spiraling iron staircases spaced across the length of the chamber. From the walkway up, the great shelves continue until they very nearly reach the ceiling. The highest shelf of books is reachable only by long ladders, not for the faint of heart. Poorly lit, the room is shrouded in heavy shadows and has the smell of forgotten memories. What light is allowed is carefully attended lest a stray spark ignite the entire collection. Though the books are always under a watchful eye, many students come here to study and gather for meetings, as this is the most accessible and public of the many other rooms in Tower. Contents: Samein Obvious Exits: Wooden Doors Samein is sitting quietly at one of the huge wooden tables, a dusty tome spread out before him. He is reading intently, his frail body hunched over the book, his fingers splayed out in the table beside it. Kosha is most definitely not allowed here -- the attendant who shows you in points Samein out to you, and then turns to leave. Without her ever-present dog at her side, Faanshi feels even more acutely vulnerable in this unfamiliar place... yet, despite the nervousness that's possessed her, still, she's here. And it's easy to tell even from several paces that the girl's awestruck by everything she's seen in the Citadel thus far. The library, however, elicits a tiny gasp from her and makes her stare in several directions before her escort points out the old mage who sent the scroll. Quite abruptly, Faanshi collects herself, bowing demurely to the attendant and murmuring "Namaste', thank you, imphada," to her before turning to approach you. Uncertain of protocol as she is of everything else in this place, she pauses before drawing too near. Before anyone in Atesh-Gah she would be kneeling by now. Here, though, she falters a moment before settling for another bow. "Namaste', acarya," she ventures. And there's another difference: in Atesh-Gah her gaze would be riveted to the floor. But here, it keeps ranging in quick furtive glances around the room. Samein glances up from his tome at last, eyes blinking at you, owl-like and distracted. It take him a moment to even properly focus, but when he does you are greeted with a warm smile. "Faanshi. Thank you for coming. Were you given a brief tour, as I requested? Come, come and sit." He rises only slightly from his chair to indicate another, off to the side of the table, before settling back again. "Hopefully this change of venue shall be inspiring. It sometimes is." "Yes, acarya..." Whether that is acknowledgement of the request to sit or answer to the question, Faanshi doesn't specify. She does, however, step towards the chair even as her gaze flashes left and right and up and down, her eyes dinar-round over the top of her veil. And as though she's been clubbed in the belly, she sinks on legs turned to water into the chair, and utters with a breathless voice, "The... books, acarya... so many...!" Samein merely smiles, tilting his head to the side to peer up at the books. He murmurs quietly, "Yes." After a brief pause, he adds, "It is wonderful, is it not? It is as if you could absorb the knowledge just by sitting here, breathing it all in." Samein seems to be in a pleasant mood today; serene. He turns back to look at you, prodding gently. "Sit. Fill me in briefly on your life. You have found the Bard, I trust?" Since she does not currently trust her legs to continue to hold her up, Faanshi does indeed sit. That last question distracts her from her wide-eyed study of the mighty collection of volumes that surrounds her, pulling her gaze round to the old Varati. Her own softens, taking on a bit of a light within as she finds herself abruptly touched by his inquiry. "I found him," she confirms. Samein nods contentedly, seeming unsurprised by this information. He was so assured as to his safety even in the beginning, if you will remember. "Good, then." His smile breaks free again, warm and gentle. "Then I suppose we should begin. I would not like to keep you too long, in such an unfamiliar place. But this place comforts me, quite frankly. Have you had better luck with your art, since the storms have subsided?" Between the wonder of the countless books around her and the gentle smiles she's given, slowly but surely, Faanshi seems to become more at ease. "Things... seem easier, acarya," she ventures, straightening up in the chair where she sits. "A roof fell on Lyre, but the other Mongrel men were able to dig him free, and... I healed him! And there was another bard, too, a man in the Rialto... I healed him and it did not tire me at all! It was... different, than when I healed the Empyrean, before the storms...!" Samein gives a slow nod, glancing downwards at the book that was before him. He finally thinks to close the heavy tome, the pages coming together with a soft sound. "Good. I myself have mostly re-adjusted, I think. My focus on the Aether is almost all-consuming, at least for a time. Although I think that I may be becoming better in Healing, what with our practice together. Do you have any specific questions?" Questions. Faanshi blinks a few times, trying to figure out where exactly to start. "I..." For an instant she pauses. Then, as though that one invitation opened up a dam, she begins to pepper her companion with a string of queries delivered in a burst of childlike excitement. "Lyre was hurt _here_, and down _here_," she begins, her hands fluttering to point at her own ribs and then at one of her legs. "But I do not know what is in there besides bones, I think, my heart-mother told me that people have bones inside them, they can be broken, yes? And the other man, the other bard, he was hurt _here_" -- her fingers flit to her throat. "He could talk but he said that he could not sing, is there something in the throat that lets someone talk but not sing?" Samein raises an eyebrow, watching your flood of questions as if they were tangible things, his bemusement evident and growing. As you finish there is a moment of silence, and finally Samein stirs, pushing back his chair. "You have brought up a subject which is at once fascinating and ridiculously intricate. Although many Healers have been able to proceed through entire successful, useful lives without any knowledge of what you ask, others crave that knowledge, and turn it to their benefit, enhancing their own powers in this way." He stands slowly, wincing slightly at the movement of stiff joints. "I myself fall somewhere in between. What you speak of is called Anatomy. I shall try and find some relevant texts." Faanshi's mouth is hidden as always by the blue gauze veil, but from the suddenness with which she cuts herself off, one might well imagine her mouth snapping shut. "Anatomy," she murmurs in echo, pronouncing the word with much the same wonder that a starving person might say 'food', or a pious person the name of his or her patron deity. Drawn by the prospect of increased proximity to the books, she rises to her feet... before she catches herself in consternation. "May I... help you carry them, sir? Is it permitted, for--" And again she cuts herself off. She doesn't actually say 'for one such as I', but the words are obvious enough in her humbled tone and gaze. Samein's voice drifts back to you, calm but with a greater degree of firmness. "Sit. Relax. You are a guest, here." He is stooped now, scanning a particular row of books, withdrawing one, and then another. He seems to be in no particular hurry. Finally his voice drifts to you again, "Would you like some tea?" Eighteen years of servitude are hard to overcome -- not to mention Faanshi's general inclination towards trying to provide assistance if assistance is needed, regardless of that being her station in life anyway. She sits, albeit uncertainly, while she blurts out, "I... do not think I am used to being a guest anywhere, sir." It's shudra's habit, too, that makes her look around again at the mention of libations. "Tea... I could pour that...?" Nope. No tea to be found, anywhere. And would you really want to risk drinking it around all of these books? Samein lets the matter rest as he meanders back towards the table, hauling along three oversized tomes. These are placed upon the table with a loud thud, a bit of dust kicking up from their point of impact, causing Samein to send out a few hoarse coughs. "Here we are. I am sure there are more, but they are certainly more hidden." Tea -- or rather, the absence thereof -- is promptly forgotten as the books are placed before the halfbreed girl. Her nose crinkles up beneath her veil at the dust that rises up from the volumes, but dust is not exactly a deterrent to a shudra who is accustomed to spending most of her days eradicating dust from her immediate vicinity. Nor does it deter a girl who apparently finds books one of the most fascinating things in her existence. Eyes widening all over again, Faanshi leans forward in her chair, a hand lifting reverently as if she might touch the covers of these wonders, but she stops herself before doing so. Samein continues coughing for a moment longer, even as he swivels the topmost of the books a bit to face him, and carefully opens the cover. The old man squints downwards in the dim light, turning a few pages. Finally, and without any comment just yet, he swivels the book around once more, showing you a painstaking drawing of a man's body, apparently flayed open, crude approximations of bone structure and muscle layers and the like all included. It is a dense, scientific schematic, but it is also, at some level, a dirty picture of a naked guy. An itneresting dichotomy. It's safe to say Faanshi has never seen anything like _this_ before. Another of those small gasps escapes her, as her hand flies up to where her mouth must be behind her veil and her eyes go round all over all. "Ushas," she breathes, stunned, a little frightened, a little revulsed... and fascinated in spite of it all. Her hand comes down to sketch a reflexive sigil of the Lady of the Dawn across her breast, as she turns horrified eyes to you, her volunteered mentor. "H-how... was... this picture made, acarya?" she stammers. Now that's an interesting question. Perhaps Samein had never particularly considered it, or perhaps he never thought of it as important. Probably the latter. The old man peers down at the picture for a moment, and then replies calmly, "A series of Mongrel dissections, I would imagine. They are called autopsies. The composite of their findings were probably used to make this drawing, for this book, and reflects upon the findings and commentary within." He pauses again, and then adds, "This will much better illustrate the answers to your questions than my words ever could." Faanshi abruptly starts to tremble, her gaze flying back to that picture, the horror spiking up sharply in her eyes to dislodge the trace of fascination there. "Someone did _that_ to a Mongrel?" she wails tinily, sounding all at once as though she is liable to be ill. Samein seems honestly confused, his attention fully upon you now, his eyebrows raised. He adds somewhat tentatively, "Well. One that was already dead, of course. And they probably didn't do exactly that." Not being a mortician, Samein probably hadn't really considered the mechanics of it. Why should you care what they do to dead bodies? "Dead," Faanshi repeats, as though not quite comprehending. A moment later comprehension sinks in, and she visibly slumps, grabbing at the table for support as relief surges through her and collides hard with the fear and horror that the idea of someone cutting open the body of a Mongrel had summoned up within her. "They... did it... to a dead man?" she adds tinily, just to make sure she understood. "Oh... Oh, Ushas..." Clearly shaken, the maiden presses her fingers to her brow for a moment, trying to get her composure back. Samein seems to be struggling a bit with this entire concept, and there are definite cracks in his own patient composure. To sum up, the old man seems in danger of becoming rather irate, if all of this wailing and goddess-invoking were to continue. In fact, he already is beginning to seem downright grumpy, not bothering to explain any further as he swivels the book back around to face him, and turns the page. Perhaps the girl senses the shift in his mood, for when she peeks up again, her eyes have changed expressions. No longer quite so horrified, their gaze is beginning to turn uncertain nevertheless. Has she given offense somehow? Shame flushes her cheeks behind their silken veil; down goes her gaze. "I... do not think that the books would be... very useful to me, acarya," she admits, her voice growing small. "I cannot read much more than the words my heart-mother taught me for making rida scrolls." Samein's tone is bone-dry now, a clinical recitation of ideas which does not allow for human warmth, at least for the moment. "Reading was unnecessary, in this instance. If you truly wish to learn, you shall overcome such issues of personal worth." The old man seems to struggle for a moment, and there is the impression of a mitigation of his initial reaction, a weak smile. He finally looks at you. But he can think of nothing more to say. He has been hurt, that much is sure. As if whoever dissected the dead Mongrel bears emotional significance to him. Faanshi risks another glance up, troubled by what appears to be her recurring habit of perturbing her newfound friend and teacher, all unknowingly. "Sir, if... if I have given offense," she blurts, "I am sorry... I thought... the dye-sec-shun" -- the unfamiliar word causes her to stumble, but she gives it a go nonetheless -- "was... done on a l-living man. I... um... most of... my friends are Mongrels, sir." Samein tries again, and manages a somewhat more convincing smile. "Ah. Yes, I suppose I did not quite make that clear, initially. It would be useless to try such a thing, even if one desired it. The blood would make any sort of visibility impossible, I would think. Not to mention the waste." Then it dawns on him anew: perhaps this wasn't the best tact. Samein pauses again, and seems now a bit at a loss. He coughs lightly. "In any case, there has never been anyone killed or hurt by these diagrams. I think they would help answer some of your questions." Yes. There. Safer ground. The skin round Faanshi's eyes goes noticeably paler at the thought of the amount of blood that would have to well up from a body that would sustain enough wounds to show the detail in the picture she's been shown. But to her credit, this time she does not seem overcome by her imagination. Instead she straightens again, squaring her dainty shoulders and managing to look more composed. "I will look at them," she answers earnestly, beginning to return her attention to the tome lying open before her. Then she catches herself again. "Should I do this now, acarya? Or... um...." It is not as if she is very familiar with having a teacher, but it seems very odd to her that she appears to have thus far dictated the course of her actions here. "Do you have other things that I need to learn?" There. That expresses what she wants to know. Samein pauses for a moment, clearing his throat yet again, and looks at you for a long moment, as if discerning now whether or not you are serious. Finally he lifts the tome from the top of the others, and moves the others aside. He flips a few more pages, and presents to you a very similar drawing, this one a bit less cluttered, the bones more emphasised than the muscles. He points towards the lower half of the man's chest. "Most parts of the body have bones, and those bones can break. In the case of the chest, those bones are ribs, the sturdy cage the body uses to protect the internal organs inside. While breaking ribs is painful, it is not nearly so debilitating as most other bones, and the body usually heals itself, given enough time." It seems indeed that Faanshi is quite serious. Daunted she might be by the depictions of what lies beneath the skin, but she turns her attention dutifully to the drawings. "Ribs," she murmurs. Her hand lifts to her own, unconsciously near to where she remembers breaks in the ribs of the Mongrel bard she'd healed. Then another thought occurs to her, and she pipes, "This is what Mongrels are like inside? Is it different for people who are not Mongrels?" Up comes her gaze and then down it goes again, but this time it is curiosity rather than shyness that diverts it, for she is peering down towards her own ribs. "I have ribs inside of me?" Samein nods slightly in affirmation, seeming to think this quite a reasonable question. His patient demeanor has returned now, and he shuffles forward a bit in his seat, seeming to warm up to the teaching, to the flow of information. "Yes. Mongrels are used as a base standard, but all of the basic anatomy between the races is similar, even with the various add-ons and changes -- wings for Empyreans, gills for Atlanteans, somewhat tougher skin for Varati. While the patterns in the Aether for the various races might be vastly different, even from person to person, the bone structure is nearly identical. Very useful for the healer." He pauses, drawing a finger down the picture to the man's leg. "The bone in the thigh is very thick and strong, and when it breaks, it is difficult to heal by conventional methods. Magical healing is a godsend, in this instance. The same holds true for the bones lower in the leg, which seperate into two, and can be easily dislodged by trauma. In both cases, it is quite difficult for the subject to walk without further injuring himself, until healing has been executed. Make sure there is no undue movement, until you're sure that the bone is secure." The maiden pokes a tentative finger where she supposes her ribs must be, though she can't quite feel them beneath the layers of her sari and choli. That dainty sungolden finger then pokes, very cautiously, at the diagram on the page in front of her and follows Samein's gesture down to the depicted leg. Her other hand pokes at her own matching leg -- and then, all at once, she proclaims in tones of bright revelation, "That is where Lyre's leg was hurt! And he did not want the other men to move him, so I healed him, and then he could get up." This last is appended almost marvellingly. Samein gives a very faint shrug, unsmiling, although when he looks at you there is a certain benevolence, a softeness around the corners of his eyes. He murmurs quietly a renewed caveat, "Indeed, as I said, you could quite easily pursue your craft through intuition, never learning this information. I find it helpful, however, in focusing my somewhat limited energies, conserving them. While you could just as easily project energy onto the entire leg, if you heal the bone first, you have eliminated the most major problem, and the body itself could deal with the rest. Then you would be able to choose. Heal the bruising and swelling around the break, or move on to heal another, if it were to come down to that." Considering this, Faanshi listens with her delicate dark brows knitting together in thought. "I... have... always... just... touched someone," she says then, looking for the proper words. "And... I would feel... things that were 'wrong' and try to make them be 'right'... it will make me a better healer, if I know the things that are inside the body?" Her brows knit further. "But now my magic feels... easier than it did... before the aether storms. And it was easier then before it was when I went to Avalon... but perhaps that is just because I have been practicing?" Green eyes swing their attention back to your aged face, as she tries to reason through this out loud. Samein gives a rather thin, patient smile, his hands reaching towards each other, folding over each other over top of the drawing as you speak. He takes a moment, then, to unravel your words in his head, and respond. "It.. /may/ make you a better healer, to understand these things. I make no promises. I believe that it has made me a better healer, but I also believe that if I had not become any better at my craft, I still would have appreciated the knowledge, in and of itself." He pauses a moment to emphasize this point, and then continues, "I am joyful that some of your blockage has begun to ease. We will continue to work on basic control of your abilities, but I offer the study of Anatomy as an interesting side note. Take it or leave it, as offered. My knowledge will not suffer, either way." "I can... come and look at these books... at any time?" Faanshi asks. The concept is almost too much for her to grasp from the sound of her voice, as though she's trying to make herself believe that she's being granted access into a treasure chamber or the private apartments of a great kshatri lord. Samein nods once again, truly smiling at you now as he reaches to close the heavy tome. He gives a few heavy blinks, and then begins to rise to his feet. "Yes. There will be a justifiable demand that you be escorted at all times. These books are irreplacable. But there shall always be someone to escort you, if you ask. I will do so, at any time I am available." The old mage straightens, once again wincing slightly at the stiffness of his joints, and stretches upwards, wearily. "You are tired," Faanshi realizes. "I should leave... you should rest, sir...!" Samein does not attempt to argue with you, reaching down to gather up the collection of musty tomes, for now. He cradles them to his chest like fragile children. "I suppose so. I regret the relative brevity of our lesson today, but it was a worthwhile introduction to the Library. I shall either send for you again, or see you here on your own accord at some later date." His smile is gentle. "Take care, Faanshi." Slowly, the girl rises to her feet. Reluctance to leave this place as well as relief that she has moved past the earlier awkwardness in the conversation can be gleaned from those expressive eyes of hers, veil or no veil. She takes in the way the books are lifted into your arms, finding the careful handling to sit well with her. It makes sense. "Thank you, sir," she breathes, her voice abruptly very full of wonder and warmth and gratitude for which she cannot find the words, but which give her words... her entire being, really... wings all the same. It's that tone again of someone starving pronouncing the word 'food' -- though for this big-eyed woman-child, the sustenance presented her is for her hungry young mind. Her hands flit to her breast, clasping there, and she bows over them with a deference that does not in the slightest diminish the joy seeming to kindle in her. "Namaste'...! I shall return when you call for me... perhaps sooner...!" [End log.]